Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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unknow artist
Henry VIII embardking at Dover in 1520 on his way to calais for a meetin with Francis I of France on the Field of Cloth-of-Gold
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ID: 41413

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unknow artist Henry VIII embardking at Dover in 1520 on his way to calais for a meetin with Francis I of France on the Field of Cloth-of-Gold


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unknow artist

  Related Paintings of unknow artist :. | View of a Mosque at Rajmahal | Still life floral, all kinds of reality flowers oil painting 321 | Classical hunting fox, Equestrian and Beautiful Horses, 029. | Pavilions in a Mountain Landscape | Arab or Arabic people and life. Orientalism oil paintings 257 |
Related Artists:
James Duffield Harding
English Painter, ca.1797-1863 English painter, engraver and writer. He received his first lessons in painting from his father, J. Harding (d 1846), who was a pupil of Paul Sandby. By 1807 the family had moved to Greenwich where Harding spent much of his time drawing and painting in Greenwich Park. In 1811 at the age of 14 he exhibited for the first time at the Royal Academy. He had lessons in watercolour painting from Samuel Prout and in 1816 he won the Society of Arts silver medal for landscape painting.
Giacinto Diano
painted Portrait of architect Luigi Vanvitelli in
SWANEVELT, Herman van
Dutch Baroque Era Painter, ca.1600-1655 Dutch painter, draughtsman and etcher, active in France and Italy. His first signed and dated works are two views of Paris dated 1623 (Brunswick, Herzog Anton Ulrich-Mus.). He was in Rome from 1629 to 1641. His earliest dated painting there is an Old Testament Scene (1630; The Hague, Mus. Bredius; see fig.), a compositional formula that he often used, with some variations, in Rome. A flat, low foreground is closed on the left by a house and a tree; on the right is a distant hilly scene; and groups of figures are disposed horizontally. This design, derived from Cornelis van Poelenburch, is well suited to van Swanevelt's many landscapes with biblical and mythological subjects. The large tree extending beyond the frame gives a monumental touch to the composition.






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